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Sergei Avksentyevich Kolyada (Russian: Сергеӣ Авксентьевиҷ Коляда) (18 June 1907 - 16 August 1996) was a Soviet portraitist, still life and landscape artist.〔Matthew C. Bown. Dictionary of 20th Century Russian and Soviet Painters 1900-1980s. - London: Izomar, 1998. ISBN 978-0-9532061-0-0〕 Most notable amongst the artist's work is the “Old Moscow” series which is considered an important historical record and faithful witness of the landscapes of “Old Moscow” that are increasingly disappearing under the tide of modern development.〔Valentina Azarkovich - Foreword, Exhibition Catalogue ''My Moscow'', 1985; L. Nekrasov - ''Moskovskaya Pravda'' , 24 December 1986 ; Natalia Dmitrieva - ''Evening Moscow'' , 28 September 1987〕 Each of the subjects of Kolyada's works in this series were painstakingly researched using archival records and other sources.〔http://sergei-arksentevich-kolyada/〕 == Biography == Kolyada was born in Moscow in 1907. At the age of 18, he was admitted as an apprentice to the studio of famous artist Nikolay Krymov. Krymov’s mastery of impression and light is considered to have had an important influence on Kolyada’s future artistic career. Kolyada’s apprenticeship was followed by four years of study at the prestigious Superior Institute of Arts and Techniques Vkhutemas-Vhutein〔Diploma from Superior Institute of Arts and Technique (Vhutemas-Vhutein) issued by State Tretyakov Gallery, 1937 to the artist – Sergei Kolyada ССНОВАНИЕ Архив ВХУТЕМАС"в Вяэка и 14 Лиуное дело 1174〕〔Diploma from the Vhutemas-Vhutein АРХИВНАЯ СЛРАВКА В лиуном деде ведомостях студентов имеются сведенияоб уцебе ОСНОВАНИЕ: ф.681, ол. 1, е/х. 1174〕 under David Shterenberg and Sergey Vasilyevich Gerasimov after which he joined the OST (Society of Easel Painters) for two years prior to its disbandment by the authorities. The beginning of Kolyada’s career coincided with the establishment of Soviet Socialist realism as the only authorized style of art. As with numerous artists of that time, Kolyada worked not only for the state in an official capacity; but also created a large body of impressive private works, including portraits, still lives and landscapes. Although he was admitted into the Union of Artists of the USSR in 1972〔Catalogue of the Union of Artists of the USSR as at 1st October 1972. Published 1973. Page 431 СОВЕТСКИЙ ХУДОЖНИК МОСКВА 1973〕 and participated in many group exhibitions, during his lifetime he did not gain the prestige of colleagues who fulfilled the Party’s plans for Art depicting “Revolutionary Russia.” He kept his personal and artistic integrity, perhaps at the expense of lost opportunities for advancement. In 1945, a great number of his early paintings (including a number of avant-garde works〔2002 (Moscow) - Post Avant-Garde 1920 – 1940] (S.A. Kolyada Chapter 16)〕 created during his years of studies at the Vhutemas-Vhutein and in the following years) were destroyed in a suspicious fire at his parents home near the town of Tartsev, Smolensk area, where Sergei used to spend his holidays every year. Kolyada was a co-founder of the Society of Painters of the Moscow region.〔MANDATE Outstanding artist – Comrade SA Kolyada is invited to participate in the first Conference of the Moscow Regional Union of Soviet Artists with casting vote МАНДАТ Выдан художнику тов. КОПЯДА СА для удастия в лервой Конференции Московского Областного Союэа Советских Художников.С лравом решающего голоса ОРГЪЮРО МООССХ〕 After the Second World War, he participated in a few artistic missions in the “Pouchinsky-Gory” region (which inspired Pouchkine) and in the kolkhozes of the Moscow region during the 1950s. In the 1960s, he started painting the landscapes of “his” old Moscow; a long and patient work which he willingly and passionately continued for over 30 years. In his last years, Kolyada travelled, painted and exhibited outside the USSR in Australia and France. He died in his beloved home town of Moscow in 1996 at the age of 89. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Sergei Kolyada」の詳細全文を読む スポンサード リンク
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